Schoeps CMC 641 Stereo Set w/ 2x MK 41 Capsules & CMC6 Preamps

SCHOEPS now offers pairs of our best-selling "Colette"-series microphones in sets. Each wooden case contains two complete microphones with selected, matched capsules, SG 20 stand adapters, B 5 D windscreens and in most cases, CMC 6 analog microphone amplifiers.

The part of each stand adapter that holds the microphone is made of soft plastic, while the base is metal. The foam windscreens have an inner construction which makes them considerably more effective than typical windscreens of their size, while their surface treatment lends them a "high-class" appearance.

Schoeps CMC 6 Ug Microphone Amplifier

The capsules of condenser microphones (the only type which SCHOEPS manufactures) can't be connected directly to microphone cables or inputs; a microphone amplifier is required in between. Thus a complete microphone of the Colette series comprises any of the twenty available types of capsules combined with an amplifier.

The CMC 6 Ug is designed for standard 48- and 12-Volt phantom powering. Its circuitry recognizes the supply voltage and adjusts itself automatically. Its performance characteristics remain essentially the same either way; mainly, the difference is that the current drawn at 12 Volts is greater than at 48 Volts. However, the 12-Volt mode consumes less power and might be preferred for battery-powered recording.

Features

• Flat frequency response
• Extremely low noise and distortion
• Balanced, very low-impedance output
• Can be used with very long cables
• Well-protected against RFI
• For use with 12- or 48-Volt phantom powering

Schoeps MK 41 Supercardioid Capsule

The MK 41 is strongly directional. Sound arriving from off axis is attenuated even more than with a cardioid. The pickup is "drier" and less susceptible to acoustic feedback than any other SCHOEPS capsule type (a loudspeaker should not be located directly along the rear axis of the microphone, however).

Features

• Supercardioid with highly consistent directionality throughout its frequency range
• For music and speech
• High directivity, comparable to that of a short "shotgun" microphone up through midrange frequencies
• Often preferred for use in film sound recording and as a spot microphone in orchestras